Season 6 Episode 13: In Care Of

The episode, In Care Of, centers on family relationships leading up to Thanksgiving. It is also plays on the phrase that the U.S. Postal Service uses for forwarding mail to another person or location. Part of the drama of the episode is finding out who will be moved (forwarded) out to Los Angeles to start a new life. Stan volunteers; Don decides to go; Megan wants to go; Ted wants to go to save his marriage; Don swaps places with Ted; Megan will go without Don. Then we find out that Pete will be going with Ted.

Don gets drunk on the fifth anniversary of the assassination of JFK. Don says that God must have had a bad year because of the assassination of JFK, RFK and Martin Luther King (God was not taking care of them). When the evangelist says that they were not true believers, Don (off camera) hits him. Don  spends the night in a drunk tank. In the morning, he quits drinking. Part of his "12 step program" is to tell the truth, which he does at the Hershey meeting and with his kids when he shows them where he grew up. Don's drinking is mirrored with Sally. Sally is caught drinking and being drunk at school. Both are suspended from their respective workplaces. Sally also uses a fake ID to buy alcohol. She, like her father, assumed another's identity. 

Before Don's turnaround, he hears Stan's pitch to go to California. When he stops drinking he tells Megan his idea for moving to California and repeats Stan's words saying that he would like to have a "one desk office" and "build it into an agency" and being a "homesteader". Don doesn't have his own dreams, he copies the dreams of others because he has not come to terms with who he is or what he wants.

When Dot is lost at sea upon the S.S. Sunset Princess*, Manolo, as a nurse (and we find out as a husband) failed to take care of her. When Pete and Bud talk about the expense it would cost to bring Dot's "killer to justice" they decide not to spend the money, justifying that "she liked water" and now she is "with Dad" who died in a plane crash in the ocean. Pete and Bud also did not take care of their mother in life, by out sourcing her care taking, and in death, by pursuing "her killer" (if indeed she was killed). 

Roger also does not take care of his daughter and son-in-law. When Brooks (his son-in-law) asks for money for a business venture, Roger declines. Margaret asks how to get on the "list of girls that you give money to." By not taking care of her family, she bans him from Thanksgiving. 

Roger and Ted are both mirrored in their jealousy for women: Roger is jealous of Bob when he sees them talking together. Ted is jealous of everybody and he shows up at Peggy's apartment saying that "I don't want anyone else to have you". What was humorous was when Roger is invited over to Joan's house for Thanksgiving and sees Bob carving the turkey. It is almost a scene from a Norman Rockwell painting except that Bob is wearing an apron like a woman.

When Don is told to "take time off" from his job, Peggy moves into his office. Peggy, Don's protege, will take care of the creative accounts while he is gone. 

During the Hershey meeting, Don says, "the wrapper looked like what was inside." Don came clean because his "wrapper" (persona) did not look like what was inside. It was not the Norman Rockwell family painting. The season plumbed the depths and darkness of Don's world. The final episode has Don looking up (hope), surrounded by his children. He has rediscovered that his salvation is through his sense and belonging to family, which for him, is a day of thanks.

* a fitting name for a ship for an elderly WASP matron to disappear from.

Season 6 Episode 10: Tale of Two Cities

“There are books of which the backs and covers are by far the best parts.”

- Charles Dickens "Oliver Twist"

I've always felt that this series (as well as the Sopranos and Boardwalk Empire) suffer from a creative malaise: three to four well crafted beginning and ending episodes but the middle ones just meander. This was one of those middle ones that feels like filler until the end approaches. The only interesting developments were from the supporting characters: Joan's ambition; Ginsburg's (possible future) breakdown, and the continuing ambiguity of Bob Benson's sexual orientation.

The episode is titled "A Tale of Two Cities". Dickens's novel of the same name was about the class system in France leading up to and after the French Revolution. The theme of revolution is played out in this episode with the Chicago Democratic National Convention of 1968 as political background. We have multiple characters following the convention and subsequent protest on TV. In real life, the protesters in Chicago chanted "the world is watching, the world is watching" as the police beat the non-violent protesters. This gives some interesting depth, as we watch the characters watch the riot as the protesters chant. It is a history lesson with touches of voyeurism. The 1968 convention witnessed the fracturing of the Democratic Party which in many respects echo the fracturing of the Republican Party today: old alliances and deal makers were pushed aside by younger and more vibrant participants. 

Ginsberg begins to echo Abe, Peggy's ex-boyfriend from the last episode, with his wild rant on the corruption and decay of the corporations they represent. Ted describes Ginsberg as "lightening in a bottle" when Jim wants to fire him. While Ted means that Ginsberg has a spark of creativity, lightening also represents a volatile, dangerous and unpredictable substance. Of interest to us, is Ginsberg's mention of "the destroyer" a reference to the god Shiva in Hinduism. Eastern philosophy is also represented in Hollywood with Lotus, the girl that Roger and Daniel fight over. The lotus flower is revered by many Eastern religions as a physical form of beauty and purity.

One thing we have learned about Ginsburg is his sharp and intuitive perception (and judgement) of people. When he asked Bob Benson if he was a "homo", Bob did not answer directly: he said, "there's your sense of humor" as though it was a joke. Since we haven't had a gay character for awhile, I'm guessing that Bob will come out of the closet, which will cause some problems, probably with Pete.

In Homer's Odyssey (one of the keystones of Western literature), Odysseus tries to return home to his wife after ten years of war. One of his many experiences (obstacles) was when he visited an island inhabited by the Lotus eaters. When the lotus flower was eaten, the sailors discovered that it was a narcotic and made them blissfully apathetic to life and their journey home.

The Hollywood party that Harry takes them to, may reference this, as well as Alice in Wonderland. When Don meets Daniel (Roger's in-law and ex adman) Daniel mentions that there is a movie being made called Alice in Wonderland. A few minutes later, Don goes into a room where people are smoking hashish from a hookah, a scene from Alice in Wonderland (with the caterpillar). Don's interior journey has him see and talk to Megan (who quits her job and is barefoot and pregnant). He also talks to the soldier that he met at the bar in Hawaii where he gave away the bride.

When Don is floating face down at the pool, it's seems like a nod to the film, Sunset Blvd, which is narrated by the deceased screenwriter, played by William Holden. But there was a foreshadowing before, when Joan and Peggy were arguing back in the office and Joan says to Peggy that Don carried you "down to the deep end of the pool." The floating figure is more of a visual reference than a direct connection.

Joan's ambition to become a participating player at the firm is welcome but threatens Pete. Pete is the quintessential WASP. In the final sequence, he is ogling the legs of a secretary in a miniskirt, a vision in which he only sees her as a sexual object. He like Don's vision of Megan as barefoot and pregnant, is out of step with the times.

Season 6 Episode 7: The Man with a Plan

The best-laid schemes o' mice an' men*

Gang aft agley,

An' lea'e us nought but grief an' pain,

For promis'd joy!

Modern Translation 

The best laid schemes of mice and men

Go often awry, 

And leave us nothing but grief and pain, 

For promised joy!

- Robert Burns, from his poem, To a Mouse, on Turning Her Up in Her Nest with the Plough, 1785

Don's brilliant plan that landed the Chevy account becomes real and the (painful) merger of the two firms is played out (perhaps represented by Joan's cyst which was benign but painful?). The effects and repercussions of it shake the identity and insecurities of several characters. We are given a preview of the conflict during a meeting with the partners. Bert Cooper reads a draft press release about the union where he says, "and in closing" and stops: he's missing the ending. He doesn't know it and neither do we because it's ambiguous and changing.

Chaos reigns as Ted's firm moves in. Space is tight, compressed and claustrophobic. People are let go (Roger lays off Burt Peterson to protect himself), jockey for power (Joan and Moira) or maneuver for territory (Peggy gets a windowless office with a hand made door sign that says Chief Coffee Writer and Harry complains about being moved again to a smaller space). The creatives with the two firms could also not be more different: Stan and Ginsberg represent the hip, smart, pot smoking creative team for SCDP versus the white shirt and tie, whispering to each other CGC team. The only two people who seem to enjoy the merger is Roger and Jim, who both act royal and imperialistic. During the commotion of the office, there is also an odd moment when movers bring in a "modern" chaise and it is carried up the stairs. We later see it in Roger's office when he fires Burt. Burt can't figure out how to sit on it and asks if it's a bed.**

Don is the primary focus in this episode and his world goes upside down. In fact, we are told this twice: once, when he says to Sylvia that he wants her to please him, she replies, "I can stand on my head and do that at any time". And again, in the plane while flying up to visit the Mohawk Airlines, Ted tells him, "you think you're right side up, but sometimes when you're flying you're upside down". The merger has caused Don's world to become unsteady. We see Don's jealousy of Ted when he gives up his chair for Moira and when Ted asks the secretary taking the meeting notes a question she makes "goo goo" eyes at him. Don doesn't like it. And on the plane trip, Don looks disgusted and says that it doesn't matter what he says to Mohawk, because "you just flew your own plane to see him". Don is not the alpha dog any more.

When the episode begins and the elevator door opens to Arnie"s and Sylvia's hallway, we see a suitcase and a hat in the middle of the floor. We hear Sylvia yelling, but we never hear Arnie. It's as if he's not there. The conversation is one sided and she says "you are not taking care of me, you are taking care of yourself". When she calls Don at work and wants to see him, he does the same thing to her, symbolically locking her up in the hotel room (when he takes the key) and effectively putting her into solitary confinement with no food or entertainment (before hotel rooms had TVs). This becomes apparent when he cruelly takes her book, The Last Picture Show***, away to read on the plane. Don has gone to a dark place. We have not seen him treat a woman like this before.

So where is Don during the merger? Absent without leave. As one of the key figures and partners, he doesn't care. He's more interested in playing mind and sex games with his mistress than running the agency. Sylvia finally tires of him when she imagines him dead.**** Only then, does Don feel anything. Sylvia's problem is that she confused sex with love. Don doesn't know the meaning of love, only the meaning of sex. The most important thing to happen to the firm and he is not there, mentally or physically. Don's secretary is also absent. Don repeatedly looks for her. When Peggy says that she spoke to Dawn on the telephone, Ted says "which one? Black or white?."

Other absentee players: Pete and Pete's father who is a ghost in his mother's memory. We learn from his mother, who appears to have Alzheimer's, that he, like Pete, was a womanizer and also had an apartment in the city. We realize how detached Pete is from family and not just with Trudy: he didn't offer his brother the chance to take SCDP public and lies to his mother repeatedly about dates and events. He has become her caretaker because he could not admit that he is separated from his wife due to adultery. He also lost his accounts due to adultery. He sees his position at the firm as tenuous and missed the Mohawk meeting because of his mother. Pete is caught in a hell of his own making.

The Man with a Plan, has many guises: Pete's swinging bachelor pad has become a small cramped apartment that he shares with his senile mother. The plan to go public fell apart and the partners will not become millionaires. Arnie's plan to become the first American heart transplant surgeon doesn't pan out and he wants to move to Minnesota. Don's plan for the company merger is realized, but Don didn't realize the affect it would have on him or others.

---

*John Steinbeck, in 1937, named his book "Of Mice and Men" from this stanza. The book was about unfulfilled dreams and plans that go horribly wrong.

** The chaise longue is a LC4 Villa Church and designed in 1928. For years Le Corbusier claimed exclusive credit for it. However, Charlotte Perriand, who worked with Le Corbusier in his architectural practice was the actual designer. It has only been in the last few years that she is being given proper credit for many of his iconic pieces. This piece of furniture, like the women of the time and shown in the series, are mostly uncredited or invisible. For more information on her please visit:

http://designmuseum.org/design/charlotte-perriand

*** The book is about loveless sexual alliances in a small dying town.

****Don's death is also alluded to by the dying Gleason when he speaks to Ted from his hospital bed. He quotes Sun Tzu (The Art of War) "if I wait patiently by the river, the body of my enemy will float by". 

Season 6 Episode 6: For Immediate Release

"I wanted it to be a day of sentiment, not profit."
- Anna Jarvis

The episode opens on a Saturday with Joan, Burt and Pete talking with a banker about the value of the company. If the stock of SCDP is offered on the stock exchange, the partners will become rich. The underwriter says to Joan, "your papers are spotless, my compliments to the chef." After he leaves and while sharing a drink together, Pete says to Joan, "everybody wants you" and hints that they should sleep together. She rebuffs him but says when she is leaving, "don't forget, it's Mother's Day tomorrow." 

The roots of Mother's day began as a pacifist movement and goes back to post Civil War. It was an effort to reunite families that had been divided by the warring sides. But it wasn't until 1914 that Congress made it a holiday due to the efforts of Anna Jarvis. Jarvis, however, when she died in 1948, regretted that it became a holiday due to it's crass commercialization. 

Except for Megan, there are no children shown in this episode. And all the women shown who are mothers, Joan, Trude, and Marie, are not seen as "mothers". The women want to be seen as professional (Joan) or as sexy and desirable (Daisy, Megan, Maire, Peggy, Trude). Marie tells us that she hates it when her grandchildren call her to wish her a happy Mother's Day. She also offers her the flowers that she received from Megan to Dr. Rosen as a gift to his wife. The only woman who played the traditional role of mother wasn't even shown: it was Hazel, the TV sitcom that Ted wanted to watch, but "couldn't get the reception." Motherhood had left the building.

Peaches' story about the dog who had a litter in an oil stain in their garage, where each puppy "had a nipple" had Don rejoin, "I love puppies". Motherhood is sexualized by the men. Roger tells Daisy that his mother died so she will have sex with him. Pete tells Trude, "we'll maintain every other aspect of our marriage, except what matters" when Trude denies Pete sex. Marie tells Roger to "forget my name" when he's a no show for the dinner with Herb and Peaches. She thinks it's because she's not attractive because she is a mother / grandmother. 

Fathers take it on the chin here: Don is oblivious; Dr. Rosen borrows wrapping paper from Megan as he is putting something together at the last minute; Dr. Rosen's son is going to take Sylvia for a walk in the park; worst of all Pete and Pete's father-in-law, Tom, meet at a brothel (party house). Tom becomes incensed with this (guilt?) and pulls his advertising business from SCDP. He tells Pete that Trude, "is his Princess" and Pete "is not fit to be a father". Tom is so wrapped up envisioning his daughter in the traditional mother role that he can't identify with the fact that he and Pete share a common interest in having sex with prostitutes. 

Relationships are juxtaposed and compared: Pete and Trude / Roger and Daisy. Don and Megan / Peggy and Abe. Peggy is back down in a windowless apartment building which she shares with a junkie who defecates in the hallway and street kids who hang out on the stoop throwing firecrackers. She fantasizes about Ted* when she kisses Abe. She wants out of there. She's told us in this episode that she doesn't like change and it is a shock to her when the two firms merge. Peggy and Pete's trajectory are going down while Don and Roger are seen going back up. The two advertising firms merged by necessity. It was a successful "Hail Mary" pass that worked at the last minute: they landed the XP 887 (Chevy Vega) account, a car that was later to be shown to have a history of design problems that resulted in numerous product recalls. 

* A literary joke: Ted is reading "Something" by Ralph Waldo Emerson. It could have been called "Anything" as Emerson never wrote such a work.

Season 5 Episode 6 Far Away Places

At first, I thought this episode was pretty depressing. But upon reflection, it really was a powerful look at women and their multifaceted roles and relationships with men.

Peggy's relationship with her boyfriend starts the episode with him stating (indirectly) that she is the alpha male and he complains about this, as it violates the traditional roles of the sexes. When the pitch to Heinz goes awry, she leaves work to go to a movie, gets high with a stranger and has anonymous sex with him. But the sex act is her way of re-gaining her dominance in her world with men and she becomes the sexual aggressor by refusing to be submissive.

During the pitch to Heinz ("Home is where the Heinz Is" (where product replaces the human heart), Peggy tells the executive the "truth" that they don't know what he wants, that he knows but won't tell them, and just wants to complain. The executive in response, compares her to a daughter figure, that he dismisses by having her fired from the account. Peggy is not treated as a associate or on equal status as the men, which is echoed by Sally's phone call to Don to complain that she is treated like a second class citizen.

There is also the powerful underlying theme of motherhood that runs through this episode. Ginsburg was born in a concentration camp and reared in an orphanage. This is told to Peggy, the unwed mother, who gave up her baby at birth.

Roger goes to the dinner party with his wife and takes LSD with Prof Tim Leary. This sequence is about "truth and lies". What better person than Roger, who works on Madison Ave and deals with illusion, to appreciate the effects of the drug and welcome the ability to talk truthfully with his wife about their failed relationship. Roger sees himself both young and old and his relationship with his wife more father / daughter. When they finally break up, she says "you never liked me." His response, "I use to." Love was never part of the marriage.

There is also a reference to the 1919 World Series, which was the famous baseball gambling scandal that showed the frailty of men and broke the illusion of baseball as a "pure" sport. The mother theme is also echoed with the woman therapist, who advises the wife/ daughter in her relationship with Roger.

Don and Megan's road trip, dominated by the color orange (sherbet, her dress, Howard Johnson) is a disaster, echoing Peggy's pitch to Heinz. Megan tells Don what he doesn't want to hear: that she has multiple roles: a job with responsibilities to her co-workers, to him as a husband. However, he only lets her have these roles at his convenience. She chafes at being the submissive partner and wants to be an equal, which he doesn't allow her to be. The trigger is when she tells Don to call his mother (last episode we find that he was reared in a brothel and his mother a whore), which sets him off and he leaves her stranded at the motel. Don, being the petulant child, regret his decision to leave his wife (mother), and tries to find her without success, even calling Megan's mother. Driving home, he remembers a prior trip in the car with Sally and the kids in the back seat, and he tells Sally that they are going to their new home. When Don reaches home his finds Megan, they fight, and Don ends on his knees with his head on her womb, declares that he thought that he had lost her. She, reluctantly, assumes the mother role and comforts him.

The episode ends with Sterling, with a drawing of a woman in lingerie crossed out that has written on it "Do Over", tells Don that the firm is having problems because he's been on a love leave. Don by himself in the empty conference room, contemplates the future.

Rich and dense stuff.